CLASS NOTES

WEEK ONE-TWO

COURSE OVERVIEW

There are many different ways that we can consider and study film

  • Literary -- plot, character, mise en scène/setting, theme
  • Sensory -- how a film looks, sounds, color, gimmicks
  • Technical -- cinematography, camera--shots, film processing, lighting, editing, sound
  • Production -- producers, directors, writers, editors, stars, designs, set, costume
  • Genre
  • Theoretical
    • cultural theory
    • nationalisms
    • critical theory
    • gender/queer theory
    • identity theory
  • Audiences
  • Art -- negative space, design, sets, costumes

HISTORY

  • Hollywood
  • Europe
    • German Expressionism

MISE EN SCÈNE

Setting, subject & composition of an image

SETTING

  • Place where action occurs
    • Physical location
      • Production moves to a different location (San Francisco, Rome, Paris)
      • Soundstage
      • Limbo set
      • Imaginary
    • Time
    • Setting as mood/protagonist
  • Function -- is an indication of a place, time
    • Shots/framing
    • Expressionistic (Dr. Caligari)

SUBJECT

  • Action/appearance
    • Actions reveal character/characterization
    • Physical characteristics
      •  Gestures
      • Body language
      • Facial expressions
      • Costumes
      • Makeup
      • Hairstyles
    • May change over course of the film
      • Reveal characters inner workings
      • Indicator of internal and external changes, conflicts 
      • Now Voyager
      • Charly
  • Character/Acting
    • Actions, language reveal
    • Flat vs. multi-dimensional characters
    • Types of actors
      • Play to type (Stallone, Sandler)
      • Character actors (can be star or supporting)
      • Method actors (Brando, Hoffman)
      • Cameo appearances
  • Casting
    • Against type
  • Performance

GERMAN EXPRESSIONISM (approximately 1919-1924)

Definition of expressionism

How is expressionism displayed in films?

SCREENED FILMS

CABINET OF DR. CALIGARI

  • All Movie Guide
  • Internet Movie Database
  • Produced in late 1919
  • Original director, Fritz Lang added framing story
  • Director Robert Weine hired 3 prominent expressionist artists, Hermann Warm, Walter Rohrig and Walter Reimann to design and paint the sets.
    • Embodied tortured states of the narrator's psyche
    • Exaggerated dimensions and spatial relations
    • Used light and shadow in painting to convey dramatic lighting effects due to electricity shortage and rationing in post-war Germany
  • Psychological elements
    • Focus on morbid psychological states and troubled dreams
    • Use of decor & lighting as an expression of  disturbed mental and emotional states of the characters portrayed
    • Deliberate attempt to portray subjective realities in objective terms -- narratives, states of mind, moods and atmosphere shown through photographic images
  • German expressionism attempted to express interior realities through the means of exterior realities
  • Traditional narrative, innovations in staging, decor

METROPOLIS

  • All Movie Guide
  • Internet Movie Database
  • Director Fritz Lang
  • Stylized architectural composition as opposed to purely graphical expressionism
  • 21st Century totalitarian society-- futuristic architecture and technology

NOSFERATU

  • All Movie Guide
  • Internet Movie Database
  • Director: Murnau
  • Uses purely cinematic techniques to convey expressionism -- camera angles, lighting & editing rather than production, design
  • Nosferatu shot through extremely low angle, rendering him gigantic, monstrous, sinister on screen
  • Naturalness
  • Composition of frame -- action sharply in focus in foreground, middle ground, background simultaneously
  • "Composition in depth"
  • Forests of Dracula's castle -- negative footage
  • Vampires strength is illustrated through stop motion photography

(Notes derived from Cook, David.  A History of Narrative Film; Maltby, Richard and Ian Craven.  Hollywood Cinema.; and Phillips, William H. Film:  An Introduction. ) 

RELATED RESOURCES

The Cabinet of Dr. Caligari Script
Classic Movie Scripts
http://geocities.com/classicmoviescripts/script/qCALIGARI.htm

Film Art: An Introduction: Chapter 2 Film Form
David Bordwell
McGraw-Hill

http://www.mhhe.com/socscience/art-film/bordwell_6_filmart/student/olc/chap02obj.mhtml

Film Art: An Introduction: Chapter 6 The Shot Mise en Scène
David Bordwell
McGraw-Hill

http://www.mhhe.com/socscience/art-film/bordwell_6_filmart/student/olc/chap06obj.mhtml

 

Film as
Literature

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