CLASS NOTES
WEEK ONE-TWO
COURSE OVERVIEWThere are many different ways that we can consider and study film
- Literary -- plot, character, mise en scène/setting, theme
- Sensory -- how a film looks, sounds, color, gimmicks
- Technical -- cinematography, camera--shots, film processing, lighting, editing, sound
- Production -- producers, directors, writers, editors, stars, designs, set, costume
- Genre
- Theoretical
- cultural theory
- nationalisms
- critical theory
- gender/queer theory
- identity theory
- Audiences
- Art -- negative space, design, sets, costumes
HISTORY
- Hollywood
- Europe
- German Expressionism
MISE EN SCÈNE
Setting, subject & composition of an image
SETTING
- Place where action occurs
- Physical location
- Production moves to a different location (San Francisco, Rome, Paris)
- Soundstage
- Limbo set
- Imaginary
- Time
- Setting as mood/protagonist
- Function -- is an indication of a place, time
- Shots/framing
- Expressionistic (Dr. Caligari)
SUBJECT
- Action/appearance
- Actions reveal character/characterization
- Physical characteristics
- Gestures
- Body language
- Facial expressions
- Costumes
- Makeup
- Hairstyles
- May change over course of the film
- Reveal characters inner workings
- Indicator of internal and external changes, conflicts
- Now Voyager
- Charly
- Character/Acting
- Actions, language reveal
- Flat vs. multi-dimensional characters
- Types of actors
- Play to type (Stallone, Sandler)
- Character actors (can be star or supporting)
- Method actors (Brando, Hoffman)
- Cameo appearances
- Casting
- Against type
- Performance
GERMAN EXPRESSIONISM (approximately 1919-1924)
Definition of expressionism
How is expressionism displayed in films?
SCREENED FILMS
CABINET OF DR. CALIGARI
- All Movie Guide
- Internet Movie Database
- Produced in late 1919
- Original director, Fritz Lang added framing story
- Director Robert Weine hired 3 prominent expressionist artists, Hermann Warm, Walter Rohrig and Walter Reimann to design and paint the sets.
- Embodied tortured states of the narrator's psyche
- Exaggerated dimensions and spatial relations
- Used light and shadow in painting to convey dramatic lighting effects due to electricity shortage and rationing in post-war Germany
- Psychological elements
- Focus on morbid psychological states and troubled dreams
- Use of decor & lighting as an expression of disturbed mental and emotional states of the characters portrayed
- Deliberate attempt to portray subjective realities in objective terms -- narratives, states of mind, moods and atmosphere shown through photographic images
- German expressionism attempted to express interior realities through the means of exterior realities
- Traditional narrative, innovations in staging, decor
METROPOLIS
- All Movie Guide
- Internet Movie Database
- Director Fritz Lang
- Stylized architectural composition as opposed to purely graphical expressionism
- 21st Century totalitarian society-- futuristic architecture and technology
NOSFERATU
- All Movie Guide
- Internet Movie Database
- Director: Murnau
- Uses purely cinematic techniques to convey expressionism -- camera angles, lighting & editing rather than production, design
- Nosferatu shot through extremely low angle, rendering him gigantic, monstrous, sinister on screen
- Naturalness
- Composition of frame -- action sharply in focus in foreground, middle ground, background simultaneously
- "Composition in depth"
- Forests of Dracula's castle -- negative footage
- Vampires strength is illustrated through stop motion photography
(Notes derived from Cook, David. A History of Narrative Film; Maltby, Richard and Ian Craven. Hollywood Cinema.; and Phillips, William H. Film: An Introduction. )
RELATED RESOURCES
The Cabinet of Dr. Caligari Script
Classic Movie Scripts
http://geocities.com/classicmoviescripts/script/qCALIGARI.htmFilm Art: An Introduction: Chapter 2 Film Form
David Bordwell
McGraw-Hill
http://www.mhhe.com/socscience/art-film/bordwell_6_filmart/student/olc/chap02obj.mhtmlFilm Art: An Introduction: Chapter 6 The Shot Mise en Scène
David Bordwell
McGraw-Hill
http://www.mhhe.com/socscience/art-film/bordwell_6_filmart/student/olc/chap06obj.mhtml